Musique Concrète

Mimetic Instrumental Resynthesis

Mimesis / Soundscape Studies / Electroacoustic Music / Analysis of Electroacoustic Music / Composition of Electroacoustic Music / Soundscape (Music) / Sound Art / Transcriptions and orchestrations / Spectromorphology / Mixed Music / Spectralism / Sonic Arts / Denis Smalley / Computer Assisted Composition / Gérard Grisey / Helmut Lachenmann / Musique Concrète / Mixed Music Composition / Trevor Wishart / Peter Ablinger / François-Bernard Mâche / Soundscape (Music) / Sound Art / Transcriptions and orchestrations / Spectromorphology / Mixed Music / Spectralism / Sonic Arts / Denis Smalley / Computer Assisted Composition / Gérard Grisey / Helmut Lachenmann / Musique Concrète / Mixed Music Composition / Trevor Wishart / Peter Ablinger / François-Bernard Mâche

O nascimento do gênero eletroacústico: contexto e precursores históricos

Electroacoustic Music / Electronic Music / Música Eletrônica / Musique Concrète / Música Eletroacústica / Música Concreta

QUESTÕES DA REPRESENTAÇÃO NA MÚSICA ELETROACÚSTICA

Electroacoustic Music / Pierre Schaeffer / Michel Chion / Musique Concrète / Musical narrative / Luc Ferrari / Denis Dufour / Luc Ferrari / Denis Dufour

Experimentalismo e Música Concreta no Japão Pós-Guerra: Relief Statique (1955) e Vocalism AI (1956) de Toru Takemitsu

Contemporary Music / Japanese music history / Sonologia / 20th-century Japanese classical music / Takemitsu Tōru / Japanese Music / Musique Concrète / Música Concreta / Japanese Music / Musique Concrète / Música Concreta

Villa-Lobos: umas pistas para uma escuta historicamente informada

Pierre Schaeffer / modernismo no Brasil / Nacionalismo / Murray Schafer / Ruido / Heitor Villa-Lobos / Musique Concrète / Heitor Villa-Lobos (1887-1959) / Brasilidade / Escuta musical / Villa-Lobos: os Choros / Heitor Villa-Lobos / Musique Concrète / Heitor Villa-Lobos (1887-1959) / Brasilidade / Escuta musical / Villa-Lobos: os Choros
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